Matt Sargent and Giacomo Fiore + Chris Pierandozzi Everingham

Fri., Feb. 13, 2026
Doors at 8pm | Show at 8:30pm
Indexical
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$16 General / FREE or discounted for Members
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In 2023, Giacomo Fiore commissioned a new work for his just intonation National steel guitar and live electronics from New York composer Matt Sargent. Their collaboration resulted in a concert of new works for guitar, all of which are computer-generated variations on the Shaker hymn, Simple Gifts. Composer and performer Chris Pierandozzi Everingham opens the evening.

Matt Sargent 

Matt Sargent (b. 1984) is a composer, guitarist, recording engineer, and music technology specialist based in upstate New York, where he is an assistant professor of music at Bard College. His music grows from resonance, memory, the making/breaking of patterns, and computer models of musical thought. Working between the concert stage, the recording studio, and the code box, Sargent’s audio technology has been called “a veritable fountain of intensifying, kaleidoscopic spumes” (Peter Margasak, Bandcamp). Over the last decade, his work has focused extensively on musical algorithms and real-time notation systems, which can be heard in his compositions and technical collaborations with other artists.


Giacomo Fiore

Italian-born guitarist and musicologist Giacomo Fiore has premiered more than three dozen new works for justly-tuned, electric, and classical guitars, and released several recordings for Other Minds, Populist, Cold Blue, Pinna, Spectropol, Paper Garden Records, and his own impressum. 

Chris Pierandozzi Everingham

Originally from Missoula, Montana, Chris Pierandozzi Everingham is a composer and performer studying music as a graduate student at UC Santa Cruz. Before moving to California, Chris studied at the University of Montana and performed with the Missoula Symphony as their contrabassoonist. Chris also studied music as a performer-composer at CalArts before coming to Santa Cruz. Chris’s music utilizes just intonation systems in combination with indeterminacy and explorations of duration and temporal memory; some of these compositions have also integrated tools created in MAX MSP to realize just intonation harmonies. The primary mode of experimentation in Chris’s music revolves around listening and perception over time, especially with intonation changes over the course of extended durations. As a performer, Chris uses bassoon, bass guitar, and electronics to realize his own works and works of collaborators, including written compositions and improvisations. 

Matt Sargent (b. 1984) is a composer, guitarist, recording engineer, and music technology specialist based in upstate New York, where he is an assistant professor of music at Bard College. His music grows from resonance, memory, the making/breaking of patterns, and computer models of musical thought. Working between the concert stage, the recording studio, and the code box, Sargent’s audio technology has been called “a veritable fountain of intensifying, kaleidoscopic spumes” (Peter Margasak, Bandcamp). Over the last decade, his work has focused extensively on musical algorithms and real-time notation systems, which can be heard in his compositions and technical collaborations with other artists.

His albums include Illuminations (Sawyer Editions, 2024), Bend (Waveform Alphabet, 2023), Between Time and After (Chen Li Music, 2023), Tide (A Wave Press, 2020), Separation Songs (Cold Blue Music, 2019), Tide (for ten basses) (Marginal Frequency, 2019), and Ghost Music (Weighter Recordings, 2018).

His compositions have been described as “remarkable from all angles” (Colin Clarke, Fanfare Magazine) and “bringing a sharpened sense of the transcendental into the 21st century.” (Paul Muller, Sequenza21) On Ghost Music, Bill Meyer writes, “this music isn’t about following in anyone’s footsteps; it uses bare resources to establish a bounded and essential place.” (The Wire Magazine) His guitar work on Bend, a duo album with synthesist Dani Dobkin, was described as “a guitar record retrieved from far in the future.” (Antonio Poscic, Research Music)

As a performer, Matt is active in commissioning, premiering, and recording new compositions for the electric guitar and pedal steel. He co-composed a new work for just intonation electric guitar with Robert Carl, Splectar, which can be heard on Carl’s Infinity Avenue (Neuma Records, 2024). His recording of James Romig’s hour-length piece for electric guitar, The Fragility of Time was released on A Wave Press in 2024. Also in 2024, he premiered Walk In Praise of All Metals, a collection of music co-composed with experimental luthier Ben Luca Robertson. He is currently engaged in a commissioning project for the pedal steel, which includes new compositions by Nomi Epstein, Jeff Herriott, and Michael Pisaro-Liu. He is developing a concert-length project with flutist/choreographer Annie Nikunen, which was supported by a residency at the Avaloch Farm Music Institute in 2024.

In demand as an audio engineer for contemporary music, Matt’s recent production credits include David First’s Trust Patterns (XI Records), Catherine Lamb’s interius/exterius (Greyfade), Alvin Lucier’s One Arm Bandits (Important Records), Ricochet Lady (Black Truffle), and Works for the Ever Present Orchestra II (Black Truffle), Richard Teitelbaum’s Asparagus (Black Truffle), Musica Elettronica Viva’s Symphony No. 107 - The Bard (Black Truffle), Michael Ranta’s Transits: Volume I (Important Records), Sarah Hennies’s Spectral Malsconcities (New World Records), Kyle Gann’s Whispers, and Ensemble Signal / David Felder’s Les Quatre Temps Cardinaux (Coviello Contemporary), among many others.

As a technical producer and software designer, Matt developed a networked music notation program for the Swiss-based Ever Present Orchestra, which facilitated performance of numerous large ensemble works composed by Alvin Lucier. He wrote software, co-composed, and recorded A Murmur in the Trees, for twenty-four basses, with Eve Beglarian and bassist Robert Black. Praising his work on Robert Carl’s album, Splectra (Cold Blue Music), Fanfare Magazine writes, “he could find no better collaborator than composer and sound designer Matt Sargent.”

Matt Sargent and Giacomo Fiore + Chris Pierandozzi Everingham

Fri., Feb. 13, 2026
Doors at 8pm | Show at 8:30pm
Indexical
Add to Calendar
$16 General / FREE or discounted for Members
Get Tickets

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Chamber Music
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