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Talk: Pitch Correction Software and Vocal Ecology

By Catherine Provenzano

Description

In 1998, geophysicist and flautist Dr. Andy Hildebrand seemed to have transcended the limits of the human voice. He made Auto-Tune, “a box that could make [anyone] sing in tune,” and his invention was a hit: producers prized it, studios bought it, and Auto-Tune quickly became ubiquitous in pop music production and beyond. Provenzano will give an ethnographically-grounded history of digital pitch correction technologies and the kinds of vocalities, production practices, anxieties and innovations that have bloomed, and withered, around them.