### Laura Steenberge

Laura Steenberge is a performer and composer in Los Angeles who researches language and the voice. Influenced by folk music, psycholinguistics and medieval Byzantine chant, collectively her work is a study of nonsense and the boundaries of knowledge. A multi-instrumentalist, vocalist and public speaker, Steenberge uses voice, contrabass, viola da gamba, objects, images and movement to create works that intersect mythology and imaginary music with science and the physical shape of sound in traditional and site-specific locations throughout California, including SF MOMA, the Sutro Baths, the Hammer Museum, REDCAT and the Los Angeles County Museum of Art. She holds bachelors degrees in music and linguistics from the University of Southern California, a masters in composer/performer and integrated media from CalArts, and a DMA in music composition from Stanford University. She teaches experimental sound practices at CalArts.

### K.C.M. Walker

I practice magic and witchcraft in an effort to better understand the connections that ritual and ceremony have to both musical and non-musical performance practice, be they traditional or self-invented. I am fascinated by obscure instruments, archaic instruments, and things that are not instruments. I am from Charleston, South Carolina, but I currently live in Santa Cruz, California where I study music composition with David Dunn and Larry Polansky at The University of California. Hail Satan.

Sarah Hennies (b. 1979, Louisville, KY) is a composer based in Ithaca, NY whose work is concerned with a variety of musical, sociopolitical, and psychological issues including queer & trans identity, love, intimacy, psychoacoustics, and percussion. She is primarily a composer of solo and chamber works, but is also active in improvisation, film, performance art, and dance. She presents her work internationally as both a composer and percussionist with notable performances at Le Guess Who (Utrecht), Festival Cable (Nantes), send + receive (Winnipeg), O’ Art Space (Milan), The OBEY Convention (Halifax), Cafe Oto (London), ALICE (Copenhagen), and the Edition Festival (Stockholm). As a composer, she has received commissions across a wide array of performers and ensembles including Bearthoven (NYC), Bent Duo (NYC), Cristian Alvear (Santiago), Claire Chase (NYC), R. Andrew Lee (Denver), LIMINAR (Mexico City), The Living Earth Show (San Francisco), The Thin Edge New Music Collective (Toronto), Two-Way Street (Knoxville), and Yarn/Wire (NYC).

In late 2017 she premiered the groundbreaking work, Contralto at Issue Project Room (NYC), a film exploring transfeminine identity that uses aspects of “voice feminization” therapy as artistic material. The piece features a cast of transgender women accompanied by a dense and varied live score for string quartet and three percussionists. The work received widespread acclaim and has since been performed and screened all over the world at a variety of venues and festivals including Bent Frequency (Atlanta), La Sobilla (Verona), Monday Evening Concerts (Los Angeles), MOCA Tucson, Time-Based Art (Portland, OR), and the Toronto International Film Festival’s Bell Lightbox Theatre.

Her work has been supported by the Foundation for Contemporary Arts, New Music USA, the New York State Council on the Arts, and the Community Arts Partnership of Tompkins County, and in 2016 she was awarded a fellowship in music/sound from the New York Foundation for the Arts.

Hennies is currently a member of improvised music group Meridian with Greg Stuart and Tim Feeney, a duo with sound/performance artist Jason Zeh, and the Queer Percussion Research Group with Jerry Pergolesi, Bill Solomon, and Jennifer Torrence.

In 2013, Hennies founded the record label Weighter Recordings, releasing works by artists working at the fringes of contemporary music including Prune Bécheau, Thomas Bonvalet, Morgan Evans-Weiler, Tim Feeney, Jean-Luc Guionnet, Enrico Malatesta, and Matt Sargent.