The Indexical Livestream
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About Indexical
Indexical is a 501(c)(3) nonprofit organization based in Santa Cruz, California, dedicated to experimentation in music. Indexical has presented over 70 performances, artist talks, participatory workshops, and large-scale public art events, and during the COVID-19 pandemic has presented a dozen online events, including work by over 20 artists.
You can support Indexical with a one-time donation, or by becoming a sustaining member. Your contributions allow us to guarantee fees for artists performing on this series.
Next: Valerio Tricoli + Dean Fraser
Fri., Sep. 20, 2024
Doors at 8pm | Show at 8:30pm
Indexical
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$16 General / $12 Members
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Doors at 8pm | Show at 8:30pm
Indexical
Add to Calendar
$16 General / $12 Members
Valerio Tricoli is a Palermo born and Munich resident composer and performer of electro-acoustic music. His main instrument for live presentations is the Revox B77 reel-to-reel tape recorder, used as a completely analogue / ergonomic device for live sampling and real-time transformation / editing / mixing of pre-recorded (field or studio recordings) and made-on-the-spot sound sources, the latter usually being vocalizations (including speech and singing), small acoustic and electronic instruments, objects, the amplified sound of the room itself in which the concert takes place and - in the case of group sets - whatever is produced by the fellow musicians.
Tricoli’s electro-acoustic studio compositions are aligned to the tradition of Musique Concrète and explore themes of the internal - represented both by the psychological and the physical - and of the occult, which together with the large use of spoken text makes them often deeply existential works, self-investigations of the psychological, emotional and irrational horror within.
Tricoli’s electro-acoustic studio compositions are aligned to the tradition of Musique Concrète and explore themes of the internal - represented both by the psychological and the physical - and of the occult, which together with the large use of spoken text makes them often deeply existential works, self-investigations of the psychological, emotional and irrational horror within.