Screening
Upcoming Events
Dirty Looks: Hardcore Home Movies
a program of explicit, Queercore shorts from luminaries of the scene
Jonesy, Fiend, Super 8 on HD, 3min., 1992
Greta Snider, Hard-Core Home Movie, 16mm, 5min., 1989
Jill Reiter, Birthday Party, 16mm on video, 9min., 1993
G.B. Jones, The Troublemakers, super 8 on DV, 20min., 1990
Scott Treleaven, The Salivation Army, super 8 and video, 22min., 2001
Rick Castro, “3. Dr. Chris Teen Sex Surrogate” (from Three Faces of Women: a feminine trilogy), VHS, 25min., 1994
Greta Snider, Our Gay Brothers, 16mm, 9min., 1993
Greta Snider, Hard-Core Home Movie, 16mm, 5min., 1989
Jill Reiter, Birthday Party, 16mm on video, 9min., 1993
G.B. Jones, The Troublemakers, super 8 on DV, 20min., 1990
Scott Treleaven, The Salivation Army, super 8 and video, 22min., 2001
Rick Castro, “3. Dr. Chris Teen Sex Surrogate” (from Three Faces of Women: a feminine trilogy), VHS, 25min., 1994
Greta Snider, Our Gay Brothers, 16mm, 9min., 1993
Dirty Looks: Hardcore Home Movies
a program of explicit, Queercore shorts from luminaries of the scene
Past Events
Roberto Fatal: Screening & Talk
Fri., Feb. 17, 2023
PST
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Indexical
Roberto Fatal [they/them/ellos] is a filmmaker and storyteller. They come from Rarámuri, Tewa Pueblo, Ute, and Spanish ancestors and Mexican-American culture. Their Queer, gender fluid, Mestize/Mixed identity informs the sci-fi, apocalyptic films they make.
Dirty Looks: City of Lost Souls
Sat., Jan. 14, 2023
PST
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Indexical
German film enfant terrible Rosa von Praunheim trained his lens on the trans and gender-defying Americans who sought refuge in Berlin’s 80s club scene, catching some of the most honest and alarmingly prescient intergenerational dialogues about trans life ever dedicated to celluloid in the process.
Dirty Looks: The Girl Can’t Help It
Sat., Oct. 1, 2022
PDT
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Indexical
Dirty Looks has dug deep into documents of trans history to assemble a program of archival trans portrait films that spool from experimental cinema of the 1970s, activist video, and personal portraiture. Spanning an early decade of production, illuminating (lost?) queer histories and liminal spaces across America, The Girl Can’t Help It screens poignant testimonials and early rhetorics of trans-femme ideation.